Hocus
Pocus
When
Hocus Pocus flew into multiplexes on a broomstick in 1993, it was a silly
farce that, in hindsight, had lots of gay cred going for it: Besides Bette
Midler, it also starred a pre-Sex and the City/Glee Sarah Jessica Parker.
Ahead of its time, it was already mirroring a culture that would become
obsessed with using Botox to erase wrinkles. But these three witches, also including
Kathy Najimy as the really stupid one, were more resourceful than us when it
came to hiding the fact that they’re actually three centuries old. Just give
them the youthfulness of a child and those years go bye-bye. (Talk about some
hocus pocus.) The tricky trifecta ham it up in this Disney flick – especially
Midler, with her serious rabbit grill – that’s as much for kids as it is for
diva-obsessed, Carrie Bradshaw-loving queers who revel in the awesomeness of
seeing their girls cause trouble and ride on hard sticks. The hi-def experience
certainly makes the movie more magical, but someone should conjure the Spirit
of Special Features – they’re nowhere on this Blu-ray.
Universal
Classic Monsters: The Essential Collection
Before
"torture porn," scary movies weren’t all boobs and guts; they could scare you
without sawing off a foot. Universal’s gone back over 80 years to remaster the
classic Dracula and unleash the other beasts that followed the less-is-more
approach: With eight films in all, the studio that defined the horror genre
goes all out with this must-have for monster-movie fans. The first dates to
1931, when Bela Lugosi turned Dracula into a legendary nutcase full of weird
ticks; the original is included here, and with a striking cleanup – check out
the cool restoration process during one of the many special features – that
should scare up new horror fans. How some of these movies inspired contemporary
fright films should be apparent with not only Creature from the Black Lagoon
– a trailblazer for underwater spooks that now, some six decades later, comes
off as delightfully hokey, "did they really think that was scary?" camp – but
also The Wolf Man, which might feature the most empathetic "villain" ever.
Also included are both Frankenstein and The Bride of Frankenstein, the 1943
version of The Phantom of the Opera, The Mummy and The Invisible Man.
Besides the better-than-ever Blu-ray transfers, all the films are tucked in a
neat book with a supplemental info guide that breaks down their beginnings. And
the special features? Lots to sink your teeth into.
American
Horror Story: The Complete First Season
No
series in recent memory has as many creepy twists, truly terrifying boos or
half-naked backside shots of Dylan McDermott as American Horror Story, a Ryan
Murphy production that transformed Jessica Lange into an Emmy-winning
psychopath. FX’s horror hit, in its first button-pushing season, turned us on
(sometimes literally) to all things horrific – Rubber Man (and Piggy Man), a
freaky home invasion and mistresses that come back from the dead – as a family
regretfully uncovered the dark secrets of "Murder House." One of those secrets?
What happened to the gay couple that used to live there (half of that twosome
being the newly out Zachary Quinto). It wrapped after 12 episodes (the second
season comes with an Asylum tag), all of which are included here, but the
haunts keep coming: The bonus features include a making-of, a cool look at the
menacing opening sequence, an introduction to the ghosts and a tour of the
house where it all started – and ended.
Dark
Shadows
If
anybody knows bizarre, it’s the bromantic movie-making duo of Johnny Depp and
Tim Burton. Together they turned Charlie and the Chocolate Factory into a
freak show and brought the musical story of knife-wielding barber Sweeney Todd
to the big screen. Weird isn’t a problem for either. So, naturally, Dark
Shadows, based on the ’60s series, throws ghosts, vampires and, uh, werewolves
into the gothic mix, starting off with promise as we meet a family of
distinctly dysfunctional characters and a cursed vampire, Barnabas Collins
(Depp), who returns to his ancestral home – and tries to adapt to things like,
you know, cars. It’s got wackiness – and standout roles from Helena Bonham
Carter and Eva Green – but where’s the bite? The last half of the directionless
Dark Shadows, which does look fantastic, collapses on itself with incongruous
storytelling and off-the-wall hysterics, dragging itself to a Death Becomes
Her finish that’s all frills but no fun. The extras are just as disappointing:
six minutes of deleted scenes and scene-specific interview snippets. Not even a
full commentary to make up for this mess.
Prometheus
Even
without Sigourney Weaver going all butch on some killer mutants, this prequel
to Alien has all the necessary components of a Ridley Scott flick: kick-butt
babes, alien-baby births and stomach-turning ickyness. Only if Michael
Fassbender, who stars as a deceitful android, showed his very large penis –
again – could this movie be everything you ever wanted. It’s the year 2089 and
a crew of inquisitive explorers sets out to seek the origins of humanity in
uncharted territory that’s obviously a breeding ground for all sorts of
human-hungry gross things. Questions aren’t answered like the film promises,
but it’s sure hella fun watching aliens tears apart these people – not to
mention seeing Charlize Theron play rough and a pretty incredible finale that
lays the foundation for Scott’s great quadrilogy. Originally released in 3D,
Prometheus gets the same fancy treatment for its home-release (with many
hours of special features), but the two-disc Blu-ray still pops with visual
splendor and a few cool extras: a Ridley Scott commentary, deleted and alternate
scenes and The Peter Weyland Files for the Alien diehards.