Spreadeagle , by Kevin Killian. The Fellow Travelers
Series/Publication Studio, 590 pages, $16 paper, $10 e-book.
It was two decades in the writing, Killian has said about
this pop culture-peppered novel, yet the Feb. 11 death of Whitney Houston is
referenced. Score one point for on-demand, one-book-at-a-time publishing – the
book’s production period is as zippy as its plot. Part one centers on Danny
Isham, author of a series of sexy San Francisco-set novels – a running joke is
that Isham is forever confused with Tales of the City’s Armistead Maupin; his
AIDS activist boyfriend, Kit Kramer; Kramer’s one-time beau, Sam D’Allesandro,
dying of AIDS (as did the real-life Sam); and art fag Eric Avery, obsessed with
Danny, involved with Sam, and star of porn director Adam Radley’s fiery spanking
videos. The scene shifts in part two to a meth-centric small town in central
California, where fake-autograph entrepreneur Geoffrey falls in with grifter
Gary Radley (Adam’s brother, peddling fake AIDS cures to the desperate), and
where Avery, online and in person, is coveted by a wealthy recluse – one of the
deliciously decadent threads that knots this novel’s brilliant, bifurcated
boisterousness together.
Tea Leaves, by Janet Mason. Bella Books, 202 pages, $15.95
paper.
A lesbian comes to terms with her family’s history, with
class differences, with her difficult mother, with the inevitability of aging
and with the end of a loved one’s life: there are layers of heart-grabbing
accomplishment in this intimate memoir, a poignantly powerful narrative rooted
in the news that Mason’s mother has been diagnosed – her ailment at first
misdiagnosed, hopefully, merely as arthritis – with terminal cancer. The
emotional tailspin that follows, chronicled with luminous prose, eventually
strengthens the often-fraught mother-daughter connection, even as it impacts
Mason’s own long-term relationship. The coming together of two generations of
women – in fact, of three, as the author contrasts her mother’s early-feminist
feistiness with her grandmother’s disapproving hardscrabble staidness and with
her own accomplishment as her family’s first college graduate – is not easily
accomplished. But if there’s a moral to Mason’s emotional ruminations, it’s
that the immediacy of death does heal wounds. That’s both the candid core of
this loving reminiscence, and a universal truth for readers whose parents are
making the transition from vital to vulnerable.
Point of Knives, by Melissa Scott. Lethe Press, 122 pages,
$13 paper.
There’s a mystery to be solved in this meaty genre-bending
novella, which is primarily a fantasy, given that it’s set in the other-where
city of Astreiant, a free-floating Middle Ages sort of place where
well-imagined magic rules and astrology is a true art. The story bridges two
previous books in what’s now sort of a trilogy; its plot picks up where 1995’s
Point of Hopes ended, and the storyline precedes that of 2001’s Point of
Dreams. In the first (both co-authored by Scott’s late partner, Lisa A.
Barnett), Adjunct Point Nicolas Rathe (think of him as a cop) and Leaguer
Philip Eslingen (think of him as a hired gun) crossed paths. Here, the physical
attraction between the duo is fleshed out, as it were, as they investigate two
murders and the whereabouts of an untaxed chest of gold. Scott nimbly folds a
parlous investigative pursuit worthy of the best whodunit, a blossoming gay
love affair and prime speculative fiction world-building into an engaging read.
(Lethe’s reprint of the 1995 novel is now available; the 2001 title is a fall
release.)
Cobra Killer: Gay Porn, Murder, and the Manhunt to Bring
the Killers to Justice, by Andrew E. Stoner & Peter A. Conway. Magnus
Books, 324 pages, $16.95 paper.
The gay porn video industry. Underage teen performers.
Self-made video entrepreneur Brent Corrigan. Accusations of paedophilia. A porn
producer stabbed 28 times, his throat slashed, his body burned. Male adult
video stars discussing business in a Las Vegas restaurant before the murder,
then meeting clandestinely on a San Diego beach after. Did we mention Brent
Corrigan? So many hooks! Five years after Cobra Video producer Bryan Kocis was
killed by Harlow Cuadra and his boyfriend, Joseph Kerekes, the events that
scandalized the queer universe – well, the gay adult video universe
specializing in twink imagery – are chronicled in this true crime tale.
Co-authors Stoner and Conway have been assiduous about mining trial transcripts
and blogs and interviewing the suspects to compile a soundly researched story,
including the fact that Kocis built his porn biz on the back (and eager,
unprotected, butt) of an underage – and now sincerely repentant – Corrigan, who
himself wasn’t interviewed; only his online entries are cited. The narrative’s
solidity can’t be faulted, but as true crime this is more mundane than macabre.
Featured Excerpt
Six months after my mother died, my father found a letter
she wrote to me in a notebook that my mother kept for detailing my parents’
financial assets. She had written the letter more than a decade prior to this –
to tell me what I should do in the event that my parents would both die
together. I was reading aloud, as my father requested, and at the end of the
letter my mother wrote, "I, in my little dust pile, love you. You are one good
worthwhile person and I’m proud of being your mother." I broke down in sobs.
– from Tea Leaves, by Janet Mason
Footnotes
QUEER YOUNG COWBOYS, formerly an outlet primarily for
publisher Johnny Murdoc’s own writing, has broadened into a "micro-pub
dedicated to publishing raunchy and cerebral gay literature" and is now
accepting submissions of novels and novellas – but it’s not aiming to be a
traditional publisher. "We believe in being fair to
writers. We are writers," says Murdoc, who plans to pay authors 50/50 based
on sales, rather than implementing the traditional print-based royalty of
approximately 15 percent per book sold – all of which usually goes to an
anthology’s editor, after authors are paid a flat fee of between $60 and $100 a
story.
"We are not interested in making more money from your work than you do," Murdoc
says on queeryoungcowboys.com. "Publishers that do can go fuck themselves." The
newish press is open to all genres, "but stories must feature gay sexual
relationships as a central, core theme of the story. Romance is welcome but not
required. Sex isn’t always about love. But sometimes it is." The press’ first
official print-release book is Never Easy, containing two short stories by
Murdoc, two by Rob Wolfsham and three by Natty Soltesz. Current titles include
three e-book collections by Murdoc, as well as volume three of the journal
Blowjob and two raunchy horror-story e-books, and the erotic anthology
Daddy/Boy: The Original Unexpurgated E-book, by Soltesz – which includes four
stories rejected by Amazon. For info: johnnymurdoc@gmail.com.
Richard Labonte has been reading, editing, selling, and writing about queer literature since the mid-’70s.