My Two Moms: Lessons of Love, Strength, and What Makes a
Family, by Zach Wahls with Bruce Littlefield. Gotham Books, 234 pages, $26
hardcover.
In his acknowledgments, Wahls – whose Iowa state legislature
speech opposing a ban on gay marriage became a YouTube sensation – thanks both
the homophobic Boy Scouts ("for underscoring...the values my mothers taught
me") and the likes of Ellen DeGeneres, Ashton Kutcher, Rachel Maddow and Neil
Patrick Harris. The lad, 19 and an Eagle Scout when he spoke on behalf of his
two moms, contains multitudes! This inspiring memoir – each chapter headed by
Boy Scout pledges to be obedient, thrifty, brave and so on – is an engaging
blend of youthful passion and eyes-wide-open frankness. In high school, Wahls
at first dissembled when asked about his parents, endured some bullying about
having two mothers, and eventually "came out" in a student newspaper article.
The book’s core message – that marriage equality is overdue for queer couples –
is underscored by Wahl’s account of how, when his biological mom, Terry, was
hospitalized, his non-biological mom, Jackie, had no spousal status; it’s core
lesson is that a kid raised by lesbians in love is as normal as normal can be.
Basement of Wolves, by Daniel Allen Cox. Arsenal Pulp
Press, 154 pages, $15.95 paper.
A past-his-prime actor who’s a nervous-tic bundle of
all-consuming paranoia, a skater boi with a penchant for concocting blends of
toxic chemicals and a volatile, nicotine-addicted film director scribbling a
screenplay as his movie is being shot: Cox has a masterful way of building his
novels around characters who are more arch archetype than banal stereotype. The
actor is one-time superstar Michael-David, mired in the messed-up movie and
losing his Hollywood mojo to more bankable performers; the kid is sexy young
Tim, dipping into Michael-David’s wallet to fund his scientific forays; the
director is Scientology-connected Chris Culpepper, whose ill-fated movie has
something to do with wolves, a trombone and killing Daddy. Their stories, set
in the skanky world of Hollywood fame and misfortune, are recounted through
Cox’s stylistically risky but scintillatingly successful shift between
first-person narration and a free-floating omniscient overview, with prose that
is sleek and concise, richly descriptive and lusciously layered. The New York
hustler of Shuck and the Polish pyromaniac of Krakow Melt were queer
outsiders; Michael-David is a man who has folded himself inward.
Twelve O’Clock Tales, by Felice Picano. Bold Strokes
Books/Liberty Editions. 236 pages, $16.95 paper.
Think of Picano as a queer literary renaissance man. He
writes plays and screenplays, poetry and memoirs, sex manuals and sexy
thrillers, historical novels and – this is his fourth collection – short
stories. These 13, he notes in a preface, pay homage to writers he savored as a
young man (and still reads), the likes of Edgar Allen Poe, H.P. Lovecraft,
Nathaniel Hawthorne, Saki, Algernon Blackwood, Walter de la Mare and others of
their dark, ghostly, eerie and sometimes downright weird ilk. In that sense,
Picano is also something of a literary chameleon – there are echoes of each of
these writers, and all of those sentiments, in this solid collection. The
first, "Synapse," is a creepily science-fictional account of how an elderly man
has come to inhabit a boy’s body; the last, "The Perfect Setting," is a
masterpiece of detection, wherein an obsessive narrator solves the mystery of a
landscape painter’s murder. Not a one of the stories is like another, such is
Picano’s wide-ranging imagination; what they have in common is their power and
their polish.
Transitions of the Heart: Stories of Love, Struggle and
Acceptance by Mothers of Transgender and Gender Variant Children, edited by
Rachel Pepper. Cleis Press, 208 pages, $16.95 paper.
One of the contributors to this sometimes wrenching, often
inspirational, always instructive collection of transgender-acceptance
vignettes is an 80-year-old mother, happy to finally be connecting with her
son; another is a middle-aged Latina lesbian unsure how her Catholic family
will react to her child’s transition. Some of the stories are recounted with a
non-writer’s awkwardness, others are polished mini-essays. But what blazes
brightly in each of the 32 pieces is how fiercely even the most initially
reluctant or unsure of mothers comes to want what’s best for the daughter
becoming a son or the son becoming a daughter – even as many confess they feel
a sense of loss. Pepper has collated an invaluable resource for families
confronted with the reality of a trans child; what can possibly be more
supportive for mothers than the testimony of their peers? But this collection
deserves a wider audience than just parents, educators and health-care
professionals – its message that family love matters is universal, and its
layperson insights into the spectrum of gender variant lives are eye-opening.
Featured Excerpt
I’m sure this will be taken out of context, but whenever I
wished for a dad, it wasn’t because I actually wanted or needed a dad, it was
just so I could fit in. Sometimes in awkward situations I’d lie and tell people
that my dad occasionally took me skiing, not because I was ashamed of my
parents or had this fantasy where he’d swoop in and save the day, but because,
given the situation, a lie was simply less complicated than the truth. This
wasn’t a rejection of my parents at all. My dishonesty simply flowed from my
desire not to be teased or bullied because of how my family was composed. I’m
not gay, but I know how it feels to be in the closet.
– from My Two Moms, by Zach Wahls
Footnotes
Two novels from each of Bold Strokes Books and Bywater Books
are among six titles nominated in the Gay & Lesbian category – one of 55 –
for ForeWord magazine’s annual awards, which focus solely on smaller,
independent presses. The Bold Strokes titles are Franky Gets Real, by Mel
Bossa, and Sarah, Son of God, by Justine Saracen; the Bywater titles are 96
Hours, by Georgia Beers, and Shaken & Stirred, by Joan Opyr. Paul
Russell’s The Unreal Life of Sergey Nabokov, is from another queer press,
Cleis; the sixth finalist is the "fictional memoir" Singing Her Alive, by
Diane K. Perkins, from FriesenPress, a self-publishing outlet. Gay-interest
books also cropped up in four of the more general categories: Firestorm, by
Radclyffe (another Bold Strokes title) is one of a dozen finalists in the
Romance category; Mystery of the Tempest: A Fisher Key Adventure, by Sam
Cameron (yet another Bold Strokes title) is one of 14 finalists in the Young
Adult Fiction category; Sovereign Erotics: A Collection of Two-Spirit
Literature, edited by Qwo-Li Driskill, Daniel Heath Justice,
Deborah Miranda, and Lisa Tatonetti, is one of nine finalists in the Anthology
category; and Christopher T. Leland’s collection Love/Imperfect is one of 13
finalists in the Short Story category. The winners will be announced on June 23
at the American Library Association’s annual meeting.
Richard Labonte has been reading, editing, selling, and writing about queer literature since the mid-’70s.