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Adult Film Review

Adult Film Review - Male by Jerome Voltero (From GayCalgary® Magazine, March 2006, page 26)
Adult Film Review
Adult Film Review
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“Chi Chi LaRue’s Wrong Side of the Tracks” (Part I and II), Rascal Video Productions

The name Chi Chi LaRue has an undeniable following, and after seeing this series I can understand why! Just the DVD covers are bursting with the promise of storyline, which is important for me.

I find it hard to get into any performance unless there is a character I can identify with. In this case, the protagonist played by Johnny Hazzard is a diamond in the rough who won’t settle for what he can find in his dead end town. Johnny is a handsome young Latino stud, toting a scruffy beard and large decorative tattoos on his torso and arms.

In the first scene he has a very steamy encounter with Shane Rollins, apparently a regular fuck-buddy if not a boyfriend, whom Johnny has tried to convince to leave town with him. Rollins is a hottie in my books with his athletic build, moderately furry chest, and thick manhood! I swear I‘ve seen him somewhere before…perhaps last month? The scene is pretty long though – I had trouble holding out for the cum shot even at 2x speed!

Johnny arrives home to the trailer of his step dad, who has already been drinking heavily and wallowing in his mess of beer cans and food wrappers. Predictably he orders Johnny to clean it up, but with nothing to lose, Johnny rebels. They get into a scuffle and the muscle-bear step dad tries to force Johnny to suck him off. Surprisingly, Johnny manages to escape after giving him a different kind of blow – a punch to the junk, that is. What a shame that we don’t get to see that daddy bear in action, but it made the story all the more realistic by passing up an obvious (granted shameless) opportunity for a sex scene. We do get to see snippets of past encounters with his step dad in Johnny’s dreams, but nothing to get off to.

The movie continues as Johnny bids farewell to his gang, after helping them initiate a new member gang-bang style. He hitches a ride with the juicy van-driving cowboy Tyler Riggz, and pays his “fare” in flesh. Riggz is a big guy in many ways, presenting a challenge for Johnny on both ends!

Now this is where the film starts to get really gritty. Johnny stays in a low-end hotel to dwell on his thoughts, however the walls are as thin as paper and the cocaine-snorting white trash in the suite next to him are just winding up. (This scene made me feel quite sick to the stomach…for God’s sake kids, don’t do drugs!!) Unable to stand the noise, Johnny ends up on the street with only three coins to his name, and falls in with a street hustler to make ends meet. Unfortunately he soon finds himself in a stranger’s car at the wrong end of a gun!

Is this story going to have a happy ending? Only the second part will tell, and I’m leaving the watching up to you.

“AMG Resurrection: The Polynesian & the Sailor”, Athletic Models Guild

Well well well…this porno was unique! As the title states, it is a resurrection of an older AMG production, and I’m talking around late 1940’s! They start the film off with a re-enactment of the original film – no sex and only a glimpse of bare bottom. Was even this taboo back then? The scene is purely mimed; it’s set to old fashioned music, and has that quirky faster-than-reality speed with those scratches and dancing lines to make the film seem aged.

After that, they break away from the old-film style and bring a continuation of the story, where the muscular Polynesian and twinkish sailor get to drop the cute pretenses like they do their grass skirts and loin cloths. How times have changed!

There were several other odds and ends on the DVD that were fun to watch: a lot of behind-the-scenes clips, and some of the original AMG films – again totally silent, but amazingly expressive. I watched “Aztec Sacrifice” and “Revenge of Triton” and was baffled at how cautiously they tiptoed around the issue of nudity and sex. It takes skill to be sexy without being explicit. If nothing more, I got an appreciation of how liberal we are in modern day film.

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